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月​谏​房

by 孟雀 Meng Que

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1.
Suture 02:58
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Suture Cut chain too fast Restore her shame in heart The use implies a loss Suture virgin's body Suture what they fasten Lodge inside your whisper Crap out Cramp my dress Suture Fun Fun  Fun 缝合 太快斩断锁链 重建她心中的羞耻 一种损失 含于使用 缝合处子的身体 缝合被他们加速的 你私语中的门房 放弃吧 束紧我的衣裙 缝合 乐趣 乐趣 乐趣 * 为便于歌曲中的发音和情绪表达，对suture及部分单词的发音有所变更。 * The pronunciation of suture and some words have been altered to facilitate emotional expression in the song.
2.
花瓶 04:00
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花瓶 紧握着不能开口的花瓶 世界是新的忘了旋转的楼梯 假装漫不经心 像是你的眼睛
 观看大雨落在树林 饱满风景 相似风景 *水慢慢患病 你很旧的宇宙在飞 在飞* 它多么短暂地停留在我   * 引用自青年诗人张铎瀚诗歌《责备》。 Vase Clutching the vase that cannot speak The world is a new stair forgot to spin Pretending to be careless Like your eyes Seeing the rain falls on the woods Full of scenery, resembling scenery * Water slowly getting sick Your worn universe is flying, flying * How briefly it stays in me * Quoted from the poem “Ze Bei”(Blame) by the young poet Zhang Duohan.
3.
注视 02:04
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注视（纯音乐） Gaze (Instrumental)
4.
房门 04:42
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房门 真的看清吗 保留放弃自己的方式 假设一个漂浮的城市 马路上碎掉的诉词 仿佛某种意志 我像叛军落了单 在你的梦境回来之前 让我在你身体里听取落寞的余辉 日光飞尽 你身体里只剩坚硬的感情 Room Door Really see it? Reserve a way to giving up on myself Assume a city afloat Some broken words on the road It’s like some kind of will
I am like a rebel force being left alone Before your dream comes back Allows me to listen to the desolate afterglow in your body Sunlight has flown Only solid feeling left in your body
5.
凝固 03:35
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凝固 你注视的事物 就是你的模仿 你注视的事物 也不过如此而已 Concretion Those you gaze at, are your imitation Those you gaze at, are nothing more than that
6.
池水 01:52
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池水（纯音乐） Pond Water (Instrumental)
7.
窗边 05:03
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窗边（纯音乐） By the window (Instrumental)
8.
昆虫 - 为外界和人们 04:39
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昆虫 - 为外界和人们 凝固的树 像垂直站立的苦楚 苦涩松了绑 我跃向你犹如跃向虚空 它们紧挨的身体 胜过遥远的赞叹 抚平上下颠倒的意象 缝合时间 月亮摇过空房 缝合时间 Insects - For the external world and people Frozen tree Like a misery standing upright Bitter has been untied I leap towards you like a leap into the void Their bodies next to each other Better than a distant admiration Smoothen the upside-down image Suture time The moon swayed over the vacant room Suture time

about

专辑自述：
这张专辑构思之初，正值新冠疫情爆发，世界的剧变之下，有人更多把眼光投向外部世界，而在长期的孤立生活中，我得以更多思考自身，思考人与音乐相辅相成的时空关系。

from Meng Que：
This album was conceived at the time of the outbreak of the pandemic. Under this turbulent circumstance, some are focusing on the outer world, but in the long-term isolation, I was able to contemplate myself, and the intertwining spacial and temporal relation between humans and music. 

世界充斥着无处不在的声响，比起响的部分，那些没有响的部分更让我着迷。沉默之中是什么，虚无或另一种饱满？在《月谏房》中，我常采取一种留白的方式，让那些没有响的部分得以凸显，变成听者的想象，抑或“沉默”自在的言说，但愿听者不会将它粗暴地理解为音乐上的简陋。同时，在部分曲目中我保留了音乐悦耳、温暖的成分，并尽力与歌词文本取得一种平衡。《月谏房》尝试突破音乐载体的一些限制，希望听者初听的时候不必预设风格，可以连贯以待。

The world is filled with ubiquitous sounds, but compared to the sounds, it is the silence that fascinated me the most. What is in silence, nothingness, or another kind of fullness? In “Yue Jian Fang”, I usually leave space to highlight the silent parts, which would turn into the imagination of the listener, or the soliloquies from “silence” itself. I hope the listener will not roughly interpret that as the crudeness of music. At the same time, in some of the tracks, I kept the euphonic and warm composition of the music and tried to achieve a balance between that and the lyrics. “Yue Jian Fang” attempts to break through some of the limitations of the music as a medium, hoping that the listener does not have to preset any genres when first listening, but treat it as a whole.

在录音及后期制作上，由于条件所限以及个人审美的倾向，我进行了一种近乎无细节处理的处理。这里有我的呼吸、唇齿音，和某些原声乐器不那么精致的音效，它们是我的真实状态。

In the recording and post-production, due to the limitations and personal aesthetic preferences, I performed an edit that was almost non-detailed. There are my breathing, sibilance, and the less refined sound effects of certain acoustic instruments - they are my true state.

特别感谢我的好友胡嘉岷，和研究当代音乐的朋友王翾。感谢厂牌主理人 Endy Chen、母带师 Eric Lau 和发行人员庄雪凡所付出的心血。最后，我想借用 Pascal Dusapin 的一句话：“音乐，是对瞬间的无尽的悼亡。”这瞬间里，充斥着意志和不可言说之物。现在，《月谏房》发行在即，我唯一真实的感受，好像是略带伤感的与之告别。


Special thanks to my dear friend Hu Jiamin, and Wang Xuan who study contemporary music. Thanks to the hard work from the label owner Endy Chen, mastering engineer Eric Lau, and the release assistant Zhuang Xuefan. In the end, allows me to borrow a quote from Pascal Dusapin:“Music is the incessant mourning of the moment”, a moment full of will and the unspeakable. Now, the release of “Yue Jian Fang” is ready. The only real feeling of mine is the sentiment triggered by its departure.

-

孟雀，1996年生，自幼学习钢琴，现居江苏。19岁获得文学学士学位后，对音乐的热爱使她从文学创作转向音乐创作。2021年签约 1asia 发行首张个人专辑《月谏房》。


Meng Que, born in 1996, studied piano since childhood, now lives in Jiangsu province. After receiving a Bachelor of Arts at the age of 19, her devotion to music guides her from literary creation to music creation. Signed with 1asia in 2021, she released her debut album “Yue Jian Fang”.

credits

released December 21, 2021

Credit:
词曲 / 演唱 / 钢琴演奏 / 编曲 / 制作 / 录音 / 混音 / 母带制作：孟雀
黑胶母带制作：Eric Lau
封面艺术：胡嘉岷
包装设计：Byscene
发行助理：庄雪凡
出品人：陈晟
 
Credit:
Lyrics / Vocal / Piano Performed / Arranged / Produced / Recorded / Mixed / Mastered by: Meng Que
Vinyl Mastered by: Eric Lau
Cover Art by: Hu Jiamin
Pacakging Designed by: Byscene
Release Assistant: Zhuang Xuefan
Executive Producer: Endy Chen

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1asia Jinhua, China

心中的一个亚洲
1asia is a record label focus on Asian artist of all genres.

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